All this, of course, is assuming you have moved your daily organisation from paper to your gadgets — and saved trees in the process. If you have not, you probably should think of doing it because it has several advantages, not the least of which is speed, flexibility, access and ease of use. And those lovely trees again. I have found that the most common reason why people give up on technology is that they are unable to effectively manage it and the management itself becomes a chore, which defeats the purpose. But it does not have to be that way, and if you do it right, you might even enjoy it.
Category: How-to & tips (page 1 of 4)
Today, with the recently released 4.4.1 version and renamed simply VSCO, the app stands as arguably the best filter for iPhone, but is really a full–powered editing suite and manual camera. Most use it in conjunction with all their mobile photography needs, not merely as an Instagram competitor. And with nearly a hundred million uses, #vscocam is Instagram’s most popular hashtag today. Competitor Snapseed has four million, Afterlight has three.
In addition to filters in general (not to target VSCO, whose filters I use rarely, but do use nonetheless) there is another misdirection I feel we ought to address in today’s photography scene: mindless obsession over sharpness.
I do not quite remember where I read this, but someone advocated printing out your photographs — at least select ones — even in the digital era, because printed photographs have their own charm and heightened value (even if the latter is only in our minds).
Having travelled a bit earlier this month, I have been spending the past couple of weeks wading through a few hundred photographs, picking, flagging, editing and storing away safely. In the process, an interesting idea struck me.When I first began photography I had a deep love for black and white pictures. (One of my first serious photographs was black and white.) I still do, but having understood the complexity and weight of colours, I make many more colour photographs nowadays.
I have always been strict that photographs must be seen the way the photographer intended, and when was the last time you intended a hundred of your photographs straight to all be seen as squares?
The first option a lot of people suggested to me was Loom, but that is not available where I live. (Loom happens to be US-only.) And then there was Everpix — was — which was free and shut down as fast as it became popular. In all honesty, Everpix was an excellent solution, but faced the biggest problem with cloud storage solutions: they shut down, mostly because they run out of money trying to give storage free. Lesson: never opt for free cloud storage.
Then I tried Picturelife about three months ago and still love it for a lot of reasons. Some readers asked me to talk about my experience with the product and how I went about moving my photographs to the cloud, so this is it.
However, there were some things I wish I had known when I first switched to iPhone that I thought would be helpful to other new users. Not all of these may take you by surprise — some might — but all of them are definitely helpful and will improve your already stellar user experience with your shiny new phone.
After scratching my head over it for two days straight, I finally installed gcc, gnuplot, Octave and LaTeX on my new Mac (OS X 10.10.3, Yosemite) and decided to note some points/instructions down here for anyone else looking for a simple solution from start to finish contained in one place.
Bumping up the contrast alone almost certainly does little to better such a photograph, and as it happens — unfortunately — there is no straightforward manner of removing haze in a photograph. For this demonstration, I will be using Lightroom, my go-to digital darkroom software, but the process should be similar in any alternative with equal capabilities (Photoshop, Aperture, Elements etc.)
To make things interesting, let us work with an example photograph — one I made a long time back, with our ever-present enemy, haze.
However, I have increasingly come to feel that my photography needs such a set of beliefs in black-and-white — hence this piece. But this is nowhere near as long as my blogging manifesto, but whether you are a photographer yourself or not — so long as art appeals to you — you might find this an interesting read.
Blookist is the content-appreciative publishing platform we had all been waiting for.
At first, I was confessedly disinterested: was this just another Obtvse, another Svbtle, or another Ghost? At a time when blogging platforms seem to be cropping up at every nook and cranny, why did I have to pay any attention to Blookist? Was this another ambitious platform started with enthusiasm that would lose direction halfway through?
As I looked around, however, it was hard for me not to realise this was not a blogging platform; it was something more, something unique, and, most importantly, something promising. I signed up for free immediately and over the next couple of days began to explore this further. It had caught my attention. Read more →
That is not to say Macs are perfect; but they are a lot more understanding of humans than Windows. That means a majority of Mac users never explore the Terminal that comes with their computers: a lovely UNIX footprint available on the Mac.
But using the terminal, while not strictly necessary, is fun to do once-in-a-while. So whether you hope to get started or just see what the fuss is all about (and if you have a Mac) then these are seven OS X Terminal commands you should know.
In effect, what an International Colour Consortium (ICC) profile does is help your computer understand what colour you mean when you pass a certain electronic pulse signal.
Incompatible ICC profiles this can have a terrible effect on the work of visual artists — photographers, videographers, designers and the like — to such an effect that they may start looking like different photos or videos altogether on different machines and media. Here is how you can correct that.
When I started blogging seven years ago, I had to adopt the same practice and, while there is no doubt it worked, I always felt it hindered my style of writing. There is some sense in such optimisation, but the actual method of weighing writing is far too inhuman.