I have had an affection for Tissot since my childhood, so I often collect Tissot watches. My latest acquisition is one of a famous automatic collection whose name brings smiles and nods of respect from any watch connoisseur: the classic Tissot Le Locle.
It started as an offhand idea, so we began with literally zero preparation. Half a basketball court, a ball and an iPhone in hand, I do not recall just when the idea struck me, but the four of us who were together had soon decided to make a short film.
The story, as I often like it in all of my films, was simple and open to interpretation. Two guys, a basketball: it does not matter whether they had the court or — quite literally — what was blocking their way, they would still play their game.
As a man of physics, Interstellar is a film I would not miss for the world; if not for the physics, for the images — and director Chris Nolan’s images have always been powerful. Interstellar does not fall short on that. However, it helps for the layperson to learn a thing or two about physics before watching the film, which is why I wrote this article — and made sure there are no spoilers.
The film is really very small, but dressed as an operatic journey through space and time. The use of physics is interesting, almost exciting, and what holds the audience’s attention is (surprisingly) as much the science as the story of a parent-child relationship.
And yet, like so many films before it, Interstellar falls short merely because it was hyped far too much and it set itself an unrealistically high barrier.
It is not often that I review books; if I reviewed every book I read, I would probably be too busy reading and writing every waking moment of my day. That said, the fact that I wanted to take time to speak about swede, Stieg Larsson’s, longtime bestseller speaks volumes about the book.
This review may contain mild spoilers, but nothing to irreversibly dent your reading suspense, so you should find it safe to go on.
First of all, (off the top of my head) I must say that I found the title rather misleading. This book is about a lot of things — including Lisbeth Salander, Mr Larsson’s masterful creation of a goth hacker dwelling in the tech underworld, confused and careless about everything in her life — but Salander, the titular girl with the dragon tattoo, is no bigger a player in it than any other.
I seem to have grown a closeness with all gadgets Air. After recently buying a MacBook Air, I gifted myself an iPad Air for my birthday recently.
The iPad Air is a beautiful device and I picked the white bezel (my first white device) based on my usage: I read more, and the walls in my house are white. Jokes apart, reading with a white bezel, in spite of the black vertical strip outlining the screen (which bothers some people), is simply a much better experience than a black screen.
Visit Blookist and the most inspiring part of their website is in an obscure place — the address bar. “You don’t need an excuse to be creative”, it reads. Still in beta, Blookist is a new kind of publishing platform. That was how its co-founder and CEO, Adrian Zuzic, described it to me when he got in touch recently, asking if I would be interested in reviewing their startup.
Blookist is the content-appreciative publishing platform we had all been waiting for.
At first, I was confessedly disinterested: was this just another Obtvse, another Svbtle, or another Ghost? At a time when blogging platforms seem to be cropping up at every nook and cranny, why did I have to pay any attention to Blookist? Was this another ambitious platform started with enthusiasm that would lose direction halfway through?
As I looked around, however, it was hard for me not to realise this was not a blogging platform; it was something more, something unique, and, most importantly, something promising. I signed up for free immediately and over the next couple of days began to explore this further. It had caught my attention. Continue…
Origami is a short film about two persons who have never met, between whom a bond grows as they begin exchanging a series of origami figures.
With each passing day, they both have something to look forward to: a dying man seems to get a lease of life, and a healthy young one realises life is not as mundane as he thought it was.
The trailer for the film is now out.