On 11/11/11 Tintin released here in India and I soon realised there was hardly any movie I had waited so eagerly to watch, ever. I first came across Tintin as a kid of very few years of age and—like so many others around the globe—found it impossible to leave the fandom. A few years later, I wished I could watch Tintin on the silver screen. This was in the last millenium. Today, that wish came true!
Now this is not a review or a critique, merely my thoughts on the Spielberg-Jackson venture which few, if any, expected to be bad. Continue reading
I would not call myself the biggest fan of Green Lantern, but the new film (out on June the 17th) is exciting nonetheless. Personally, I still cannot picture Ryan Reynolds as a superhero after The Proposal (in spite of X-Men Origins: Wolverine and all.) The new poster however shows that the film has something promising to deliver; yet, only time will tell! Continue reading
I’ve heard of haunting yourself to death, but laughing yourself to death is unheard of insofar as you are sitting in a theatre amidst hundreds of shivering anthropological beings, all firm believers in the supernatural. And yet, you will find that you don’t really feel odd: you make the others feel odd.
Last night found me at a theatre nearby, watching what was supposed to be a horror film in some small way. It was called Haunted in what was perhaps the most misleading name this past century (the only other one rivalling it being the Hindi Film Industry.)
The whole two hours and a half were the most stereotypical hours I have ever spent. Continue reading
It pleases one to no small limit to see all (or at least most) of his favourite actors, director(s) and screenplaywright(s) working on a common project and coming out with what can only be a masterpiece of a film. This coming year looks like its my turn.
Among my favourite actors are (in no particular order) Al Pacino[The Godfather (trilogy,) Scent of a woman, Scarface, S1m0ne,] Marlon Brando [The Godfather, Julius Caesar, A streetcar named Desire,] Robert DiNiro [The Godfather II, Mean Streets, Raging Bull, Taxi Driver,] Johnny Depp [Pirates of the Carribean, Charlie and the chocolate factory, Public enemies, Alice in Wonderland] and Hugh Grant [Four weddings and a Funeral, Notting Hill, About a boy, Music and Lyrics.] And then my favourite directors are Francis Ford Coppolla [The Godfather,] Martin Scorsese (SKOR-say-zee, many say it wrong!) [Raging bull, Good fellas, Taxi Driver, Shutter Island,] and Stevn Speilberg [Jurrassic Park, Schneider’s list.] And not to tire you out, two of my many favourite screen-playwrights are Steven Zaillian [Schindler’s list, Mission: Impossible, The Interpreter, American Gangster,] and Eric Roth [Forrest Gump, The Good Shepard, Munich, The Curious Case of Benjamin Button.]
Now picture this: Robert DiNiro, Al Pacino, Joe Pesci [My cousin Vinny] all starring in a film directed by Martin Scorsese and scripted by Steven Zaillian. Continue reading
I play the violin. I’m no maestro, but I can handle the bow well (but I still cannot play the vibrato!) And this beautiful instrument–which came to me somewhat as a serendipity–has, for some reason, convinced me to spread the word about those great musical masterpieces I listen to everyday. And then I realised people around me hardly ever listen to it. There is no way you can make them listen, but one of the means I just realised was to associate these numbers to some things we are perhaps better aware of than the music itself.
So I sat down and compiled a list of the best pieces which have featured in well-known forms of media, and to which we have probably hummed, all the while not knowing what we were really humming to. Continue reading